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Pee Me Narrative

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Wikimedia Commons Wikiquote. Espaces de noms Article Discussion. George et F. Al-Rawi et A. Fleming et S. Beckman, R. Beal et G. McMahon dir. Hoffner Jr. Marzahn et H. Neumann dir. Denooz, X. Luffin dir. Thiry , Louvain, Peeters Publishers, , p. Sur cette question, voir la mise au point de en W. Garelli dir. Kampen et B. Bergmann dir. Clifford dir. Marks et R. Good dir. Pruyse et J. Bodson dir. Westenholz et U. George et I. Finkel dir. Lambert , Winona Lake, Eisenbrauns, , p. Abusch dir. Azize et N. As he exits the set, he is spotted by tourists and they suddenly begin to chase him for an autograph.

In an attempt to avoid the overzealous fans including camera-happy Japanese tourists accompanied by stereotyped "Oriental" music, the press, and even The Noid plus some gunslingers after stumbling upon the filming of a Western helmed by a director resembling Steven Spielberg , Jackson soon disguises himself as a rabbit named Spike, using a costume from one of the film sets imbued with animatronic properties using Claymation, giving a similar combined-media effect as Who Framed Roger Rabbit , but with more obvious bluescreening , but ends up taunting the fans into chasing him once they realize it is him.

Michael steals a bicycle which then turns into a motorcycle once he hits the highway in order to flee, with the fans and paparazzi now also appearing in Claymation form giving chase in various other, more cartoonish vehicles. During the chase, he morphs into other celebrities, namely Sylvester Stallone , Tina Turner and Pee-wee Herman , with the bike also briefly morphing into a jackhammer, stop sign, waterski, and jet pack in repeatedly unsuccessful attempts to throw the fans off. Michael finally then manages to escape and rides off to a desert. He takes off his rabbit costume and it then suddenly comes to life and challenges him to an extended dance-off. In the end, a passing traffic cop interrupts Michael to point out he is in a "No Dancing Zone", and when Michael turns to show him that he was competing with the rabbit, he sees that the rabbit has disappeared.

The cop then sarcastically asks for Michael's autograph as opposed to "signature" on the ticket. Just as Michael is preparing to leave, the rabbit's head materializes on a nearby rocky crag, which then nods to him and smiles. The fifth segment of the film is a surreal animated music video for the song " Leave Me Alone ", focusing on supermarket tabloid interest in Jackson's personal life. It compares Jackson's life to an amusement park, and how his fans just see him as such. It is meant to point out, in a mocking tone, the way the tabloids unnecessarily sensationalized his life with claims that he had a shrine to Elizabeth Taylor and bought the Elephant Man's bones.

In the video, Jackson's life is portrayed as a circus due to the press's manipulation and the everyday tug-of-war he endured as an artist. His beloved then-pet chimp Bubbles makes a cameo appearance as Jackson is seen picking him up and riding with him in his roller coaster car. His pet snake, Muscles, is also present. The press is portrayed with dog heads to insinuate that they are like animals. The segment ends with Jackson destroying the park, and looking off into space. The segment begins with three homeless children Sean, Katie, and Zeke sneaking through a big city to see their friend Michael going out for the evening. As Michael stands in front of the door, he notices a falling star before he is ambushed by armed gunmen with machine guns.

The film then backtracks to show Michael and the children playing in a meadow in happier times. As they're playing, their dog Skipper runs away, and as Michael and Katie look for him they uncover the lair of Mr. Big, whose real name Frankie Lideo is an allusion to Frank DiLeo Michael Jackson's then-manager , is a drug-dealing mobster with an army of henchmen.

He wants to get the entire population of Earth addicted to drugs, starting with children. As Mr. Big continues work on his operation, he discovers that Michael and Katie are spying on his operation. The story returns to the ambush in front of Michael's apartment. Unknown to the gangsters, Michael wished on the falling star and escaped the gunfire, leaving only his jacket. Upon realizing he has escaped again, Mr. Big orders his henchmen to track down Michael with dogs. He is eventually cornered in an alley, where he wishes on another falling star and turns into a Lancia Stratos Zero sports car that mows down several of Mr.

Big's henchmen. Michael is pursued through the city streets until he loses the henchmen. Meanwhile, the children scout out Club 30s, where Michael had told them to meet him, and find only an abandoned nightclub. As Michael arrives, Katie sees a silhouette of him turning back from a car into himself. The door of the club opens with a gust of wind, and Michael walks in to find it filled with zoot suiters and swing dancers. The children gather outside a window of the club and watch Michael dance to " Smooth Criminal.

Big lays siege to the club and kidnaps Katie. Michael follows them back to Big's lair and ends up surrounded by his henchmen. Big appears and taunts Michael by threatening to inject Katie with highly addictive narcotics. While Katie manages to wriggle free, Mr. Big decides he's had enough and orders his men to kill Katie before finishing off Michael, but not before a falling star flies by. Michael transforms into a giant robot and kills all of Mr. Big's soldiers, then turns into a spaceship. Big gets into a large hillside-mounted energy cannon, firing on the spaceship knocking it into a nearby ravine. The children are his next target, but the spaceship returns from the ravine in time to fire a beam in the cannon with Mr.

Big inside. The children watch the ship fly into the night sky with a shower of light. In the conclusion to "Smooth Criminal", Sean, Katie and Zeke return to the city, believing that Michael is gone forever. As the boys talk about Michael, Katie walks away crying and clutching a paper star. As she sits in a corner wishing for him to come back, the paper star flies out of her hand and Michael walks out of the night fog. He takes them back to Club 30's , where they find that the club has turned into the backstage area of a concert.

Michael's stage crew return the children's missing dog and then escort Michael onto the stage where he performs a cover of The Beatles song " Come Together " with the children watching and cheering him on from backstage. During the closing credits, two more segments are shown. The second is a selection of slowed-down and sped-up clips from the " Smooth Criminal " segment, which was also used as an alternate music video to the song. The release of Moonwalker was originally scheduled to coincide with Jackson's album, Bad. During the theatrical release of Moonwalker , Jackson was also embarking on the Bad World Tour , his first tour as a solo performer. Moonwalker was instead released on home video in the United States and Canada on January 10, , just as the Bad World Tour finished.

His tour was supposed to finish sooner, but had been postponed due to some vocal strain, so it went on until the last week of January The video had sold more than , copies in the United States by April 17, The film received mixed reviews. Critics praised the music though complained that there was no plot and that it seemed like a series of music videos tied together. Variety reported that Moonwalker "seems unsure of what it was supposed to be.

Around it are really just numerous Jackson music videos with little or no linkage. Although quite enjoyable the whole affair does not make for a structured or professional movie. Moonwalker has been certified 9 x Platinum in the United Kingdom. Due to the large budget, the film had a limited theatrical release and was released in the United States on VHS and LaserDisc almost immediately afterwards. The set only features the song and dance sequences from "Smooth Criminal", the title song, and the ending "Come Together" as opposed to the entire short film.

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